1. |
From Viktor S. with love
05:54
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2. |
Folles Eglises
07:28
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3. |
The Dress
07:56
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4. |
Holy Pretress
08:14
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5. |
Back on Tracks
08:57
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Alahuta Cherbourg Octeville, France
"Chapelles oubliées, personnes disparues, presqu’île enclavée"
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I've had a complicated relationship with metal for over 20 years, and have come to realize that my loyalty isn't necessarily to a genre or a set of rules as to what the music should have or sound like, but to qualities that are hard to define: a certain energy, a certain attitude, and a certain elegance, for lack of a better word. Hard to define, but when I hear it I'm home. That's what this record did for me.
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supported by 4 fans who also own “Dark Paths Black Spirits”
A lovely EP to listen to on gloomy, rainy days. King Woman rules <3
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Excellent doom vibes with haunting vocals! As for a favorite track... it's tough.
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Napalm Death vocalist Shane Embury swaps breakneck grind for industrial ambient grooves, bringing his skills as a producer to the forefront.
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Gauzy, intimate, and unsettling: this is the Oakland experimentalist's stunning first full-length.
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Danish avant-garde crew SVIN explore far-out new lands on their latest, the sound of a galaxy folding in on itself in cut time.
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Monochromia (2016)
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supported by 4 fans who also own “Dark Paths Black Spirits”
Wonderful. Can't stop listening to those pitch black chantings.
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